This virtual exhibit is based on work by Student Curatorial Associate Brittney Westbrook. Westbrook selected the artifacts, compiled the information, and photographed the objects. In 2013 Student Curatorial Associate Travis Rigg edited and produced this virtual exhibit. Revisions were made in 2015 Student Curatorial Associate Kathryn Dunn and 2020 by supervising curator Christopher Miller.
This guide is maintained by the Loyal Jones Appalachian Center's Artifacts, Exhibits & Media Studio.
The studio curates and provides access to the 3D artifact collections, produces exhibitions, and creates media to support the work of LJAC. To learn more about the studio, experience more of our creations, and explore the artifact collections, use the links below. Much of the work is done by Berea College students. The supervisory curator is Christopher Miller.
The hillbilly stereotype is strongly associated with certain regions, namely Appalachia and the Ozarks. The stereotype features prominently in the souvenir objects from places in these regions.
[Accession 2004.41.1]
This set is a souvenir salt and paper set from North Carolina, ca. 1950-70. The salt and pepper shakers are moonshine jugs stuffed with corn cob stoppers and the hang from the man's gun. There is a hole top in the man's hat which may also have had some purpose, such as dispensing toothpicks or vinegar.
[Accession 2003.32.1-2]
ca. 1935-1960
[Accession 2003.33.1-3]
In this set, the hillbilly man is the salt shaker and the jug is for pepper. It is ca. 1955-1975 and marked "made in Japan."
[Accession 2004.36.1]
While this object comes from a place far from Appalachian or the Ozarks, it still uses a hillbilly motif. It is marked "BIG BEAR LAKE, CALIF" which is a mountain place. Perhaps, the intention is to use the hillbilly motif to evoke ideas of leisure and rusticity? It is ca. 1955-65.