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Alan Jabbour's Kentucky Fiddle Tune Transcriptions

Alan Jabbour, Sound Archive Fellow in 2007-2008, transcriptions of selected fiddle tune with original source recordings

Alan Jabbour

Alan Jabbour2008 Berea College Appalachian Sound Archives Fellow Alan Jabbour transcribed these selections from among the many fiddle tunes he auditioned during his research. They were chosen to feature interesting Kentucky tunes and variants, and to highlight key elements of performance style as described in Mr. Jabbour's Fellowship Activity Report.

Alan's transcriptions pay particular attention to unison notes, a culturally significant fiddling trait which appears often in Kentucky and throughout the Appalachian South. A "unison" features the playing of the same note simultaneously on two adjacent strings. Double stops and drone notes are also included where their presence seems to be an important component to the music. Some drone patterns are not fully reproduced as to avoid clutter and distraction to readers of the transcription.

In addition to the transcriptions you may play digital audio files of the original source recordings. Simply click on player below each transcription link to play the tune.

Tune Transcriptions & Audio

Andrew Jackson (PDF) - A reel or breakdown tune known in Ireland as "Over the Moor to Maggie" and as "Waynesboro" in West Virginia.
As played by Darley Fulks, Bruce Greene Collection, BG-CT-116-10.

Kentucky Winder (PDF) - A relatively close kin to the tune "Big Scioty" played by the Hammons Family in West Virginia.
As played by John Morgan Salyer, Appalachian Center Collection, AC-CT-337-003-22.

Blackberry Blossom (PDF) - Not the Arthur Smith tune of the same name. A very close kin to "Yew Piney Mountain," a distinctive tune from the repertory of central West Virginia fiddler French Carpenter.
As played by Santford Kelly, John Harrod Collection, JH-CT-039-02-A-04.

Old Churchyard (PDF) - A fine example of the fiddle tune 'air' - slow tunes where the fiddle imitates the old unaccompanied vocal style for hymns or secular songs.
As played by Santford Kelly, John Harrod Collection, JH-CT-039-01-A-04.

Rooshian Rabbit (PDF) - Another "crooked tune" from Kentucky that features the solo style of "hanging notes." It begins with a great fanfare, then hangs on a high G before chasing off again.
As played by Darley Fulks, Bruce Greene Collection, BG-CT-115.

Cattle in the Corn (PDF) - An old-time fiddle tune played by Marshall County, Kentucky fiddler David Myers.
As played by David Myers, Steve Rice Collection, SR-CT-044-14.

Bumblebee in a Jug (PDF) - Kentucky fiddlers seem to favor styles that use either separate bow strokes for each note or pairs of notes on the same bow stroke. This is in contrast to the "longbow" patterns of their WVa. and Virginia counterparts.
As played by George Hawkins, John Harrod Collection, JH-CT-032-02.

Humphrey's Jig (PDF) - Another fiddle tune featuring the single-note bowing pattern common to Kentucky.
As played by Alva Greene, John Harrod Collection, JH-CT-032-02.