Andreas Klein
Stephenson Memorial Concert.
German pianist and Juilliard graduate Andreas Klein distinguishes himself as a dynamic and compelling performer with his command of a wide range of tonal colors and imaginative interpretations of classical music. His career as orchestra soloist and recitalist has taken him to the world’s most prestigious concert halls—from London’s Wigmore Hall to New York’s Carnegie Hall.
Check Out our Convocation display at Hutchins Library!
__________________________________________________________________________________________________
Understanding the Classical Music Profession by
Call Number: E-Book
Publication Date: 2008-10-28
Understanding the Classical Music Profession is an essential resource for educators, practitioners and researchers who seek to understand the careers of classically-trained musicians, and the extent to which professional practice is reflected within existing classical performance-based music education and training. Bennett maintains that a musician cannot be simply defined as a performer, but that a musician is someone who works within the profession of music in one or more specialist fields. The perception of a musician as a multi-skilled professional working within a portfolio career has significant implications for policy, funding, education and training, and for practitioners and students seeking to achieve sustainable careers.
The Cambridge Companion to Beethoven by
Call Number: 780.92 C178
Publication Date: 2000-05-11
This Companion, first published in 2000, provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases in Beethoven studies while incorporating other developments in musicology and theory.
Classical Form by
Call Number: 784.18 C245c 1998
Publication Date: 2000-12-28
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Commenting on blog posts requires an account.
Login is required to interact with this comment. Please and try again.
If you do not have an account, Register Now.